![]() Mátyás Erdély sat down with No Film School on Zoom to discuss working in the dead forest in a practical location, his camera and lens package used to create the stunning naturalism in camera, and the one that he believes all cinematographers should know how to do. The results are quietly beautiful as elements of the sci-fi genre slowly start to tear away the naturalism of farm life in Foe. People are relocating off the Earth to find new life while life on Earth suffocates those who remain.Ĭinematographer Mátyás Erdély, known for his work on Son of Saul and Sunset, was tasked with creating a stunning yet desolate world that isolated the cast once he joined the crew late in post-production. Based on the novel of the same name written by Iain Ried, the story is set in 2065 in a desolate world starving for rain. However, Garth Davis's Foe balances delicately rural drama and sci-fi worlds, creating a stellar cinematic vision that explores a relationship in turmoil by the request of a stranger. From the bloody reds of horror to the moody dark interiors of dramas, each genre has a distinct visual look that says, "This is what you're watching." There are some visual indicators that movie watchers tend to notice to signify what genre they are watching. Then the next step is to create keyframes for the masked area that match your talent's movement and then create a mask for the body and a second mask for the hair. Doing so allows you to key inside the area of the mask. However, if you still run into issues on the edges of the frame, as Ryan Connolly points out, you can grab a pen tool in Adobe After Effects and draw a mask around the talent. ![]() Making sure you have a smooth, evenly lit set will start you off on the right foot. While After Effects introduced Key Cleaner and Advanced Spill Suppressor several years ago, which helped to alleviate many of the problems people ran into when pulling a key, it's not always perfect.įilm Riot dives into several great tips to make keying hair that much easier. It can be hard to preserve every single strand, especially if they are light in color. ![]() However, an area of green screen work that has always been tedious is keying hair. But using a green screen (or blue screen) isn't hard at all, and No Film School has a ton of resources at your disposal to teach you how to use it. In the indie world, the perfect chroma key is about as elusive as union day rates.
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